Coming in April: A German Requiem by Johannes Brahms
On April 1 and 2, Bella Voce will present a rare opportunity to experience Brahms' A German Requiem as it originally reached England. From 1865 to 1868, Brahms composed the work that he entitled Ein deutsches Requiem: a sacred but non-liturgical Requiem written not for the traditional Latin, but for the vernacular German. It was a large-scale work for orchestra, chorus, and soloists, and in seven movements it comprises Brahms' longest composition. In 1871, the work travelled to England, and Brahms adapted the work for the occasion of its British debut. That year in a private residence in London, Brahms presented the work in an intimate alternative version for piano four hands that presented the text in English and did not include the Fifth Movement. Our unique historically-informed re-creation of this performance will feature 25 voices and the virtuosity of David Schrader and Stephen Uhl, pianists, and David Govertson, bass soloist. Conducted by Andrew Lewis. Please join us.
A Valentine’s Surprise: SAVE THE DATE for Bella Voce’s 2017 Gala!
We hope you’ll join in celebrating Bella Voce on Saturday, June 10. We’ll cap our 34th season with an evening at the Museum of Contemporary Art, including drinks, hors d’ouevres, intimate musical performances, and a silent auction.
Our guests will enjoy access to the galleries, a celebration in the beautiful atrium and newly-renovated event space, and soaking up the summer evening in view of the lake from the lovely garden patio. You’ll also be the first to learn about our 2017 - 2018 season.
Invitations will follow. Tickets are limited and will go on sale officially on April 2, after our performance of Brahms’ Ein deutsches Requiem. Be sure to follow our website, sign up for our email list, and like our Facebook page to keep updated on developments.
We hope you’ll join us for a festive summer celebration!
Bella Voce proudly enriches Chicago’s rich cultural tapestry through intimate, moving performances of vocal music. Since 1983, our ensemble has enchanted audiences with historically informed presentations of vocal works, whether well-known, rare, or new. We invite our audiences to join us in discovering artworks that have the power to lift us up, move us, and transform us. Our concerts are crafted through research and careful attention to perfomance practices, and we partner with Chicago’s top period instrument ensembles to bring works for voice and orchestra to life. Our repertoire and performance practices are rooted in the discipline of the English Renaissance and European Baroque traditions, and we boldly break boundaries to challenge our audiences to explore the expressive and artistic potential of the human musical imagination. We are committed to Chicago and to making the world a safer, more peaceful, more beautiful place through art.